I won't go into a plot breakdown (as usual), but I will touch on a few highlights. Michael Mann's direction is typically amazing, and I really like that there is virtually no exposition and you have to come to the film with some prior knowledge of Ali, Malcom X, boxing and the late Sixties/early Seventies in order to follow along. I also enjoy the fact that it's not really all that easy to like Muhammad Ali after watching the movie, even though Ali comes across as a generally affable fellow in interviews and clips and things. All in all, it was a very well-done film, but Michael Mann is the clear winner in this case. I'm glad I got to see it during this interesting experiment, as I would never watch it on my own accord. This is also one I probably won't seek out to watch again, but I wouldn't turn it off if it was already on or someone else wanted to watch it.
Tuesday, June 16, 2009
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ANYWAY....I believe Aladdin was one of the best animated films to come out of the mouse's house in at least 10 years when I saw it in the theater back in 1992 (I was not a big fan of the Little Mermaid). I believe Mermaid jump-started the animation house into a new era, and Aladdin cemented Disney's return. Both were overshadowed by the Lion King, which to this day remains their crowning jewel of traditional animation (at least in my opinion). Aladdin works for me because the genie is iconic, the songs are catchy as hell, the animation is gorgeous, and Aladdin & Princess Jasmine are hot. That's all I need for a heck of a good time - and it holds up remarkably well - 17 years....waitaminute - it's been 17 FREAKING years? Damn, I'm old.
D:
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Like:
The new Volkswagen Rabbit.
Hop to it.
Or something to that effect....except that example has to be in Arial, the shitty Microsoft bastardization of the real deal. I fucking hate Microsoft. So...anyway...the film goes on to follow the inevitable backlash against the type - it is used by American Airlines and other large, evil corporations, hence it is bad. The font stands for all that is wrong with the world, and must be destroyed. And here come the saviors! The 90's grunge designers who use dirty, diffused and chaotic lettering for everything...until the backlash experiences its own backlash, and the new millennium is dedicated to honoring the font, wallowing in the 'retro-ness' of it all, and finding it cute and anti-establishment yet again. Confused? Yeah, me too. At any rate, I love the font, and loved the doc.
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Who the #$&% is Jackson Pollock?: Now, please keep in mind that I do, in fact, know who Jackson Pollock is. I love Ed Harris, after all. I also love little-known independent documentaries. So I felt like this may be an interesting choice to watch on my time off. It was interesting, and most of the film was spent wondering if it was a mockumentary, but it was the real deal. It turns out that this curmudgeonly old lady trucker found a huge splatter painting at a yard sale and bought it as a joke for her friend who liked art. Someone saw it and mentioned that it could be a Pollock, and she suddenly saw dollar signs instead of paint splatters. Oh, art....you bring out the beast in all of us! Anyway, the film focuses on how the woman goes about trying to prove it's a Pollock, and everyone from Guggenheim art directors to shyster art dealers gets involved. Ultimately, the woman is offered $9 million or so for the painting, but holds off for more money, since the artists' works go for about 30 - 50 million dollars, or some such rubbish. Considering she paid like 8 bucks for the thing, she clearly should've taken the money and run, but she got a little greedy and probably has nothing after all the pain and humiliation she's endured. An interesting, yet ultimately frustrating film.
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There isn't much to say about this Zucker/Abrahams collaboration that hasn't already been said, so I'll just share my favorite bits with you guys. The Red Zone/White Zone bit, the religious zealots bit (though the youngsters may not get the humor - airports used to be overrun with Moonies and Hare Krishnas, spreading love and literature to annoyed vacationers), and the 'drinking problem' bit. Oh..also, how the little prissy girl takes her coffee, the gratuitous boobs bouncing in front of the camera, the 'I speak Jive' genius cameo by Mrs. Cleaver....I could go on and on. Which, naturally, speaks to the genius of the movie. You should go re-watch it right now. :)
Tuesday, June 9, 2009
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Air Force One: Here we go again...biased, because my favoritest actor in the whole wide world plays the baddie. It's not a very good movie in that it doesn't hold up and it's very Michael Bay-ish and of the popcorn variety, but it is fun to watch and Mah Boo looks good in a goatee with a Russian accent.
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An Affair to Remember: It's true. I had never heard of the movie before watching Sleepless in Seattle, and it makes me very sad to have to report such news. However, I really didn't care for the Meg Ryan/Tom Hanks/Rita Wilson opus (because, let's face it, Rita is SOOOO smokin' hot that she commands every screen she's ever been on...ever), but the movie gave me two things...An Affair to Remember, and a molar cavity. Also - a hate for Meg Ryan/Tom Hanks/Rita Wilson. Even more depressing is the fact that I already was a huge fan of Cary Grant, but in my knowledge at the time, AATR wasn't one of his better-known works. I was more of a 'That Touch of Mink' kind of a gal, and I still prefer Mink just for the campiness of it, as well as Gig Young. But I digress. 'Affair' is a smart romantic comedy with a complete re-watchability, and a cute kid that gave me one of my favorite quotes of all time: "Well, whaddya crabbin' about?". Nothin', kid - it's pretty much perfect.
The Age of Innocence: One of my favorite movies of all time, period. Scorsese period piece? Check. Daniel Day Lewis not chewing scenery? Check. Tortured Love That Can Never Be? Check, check, check. I love it, and no one can ever tell me anything else about it to the contrary. Also, completely quotable, though nobody will ever know what I'm quoting. "Well, that explains it, then." "What?" "Why they are so influential...they make themselves so rare." Only 1% of the population will ever know that I'm talking about the van der Lydens. And I'm okay with that.
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Whoops! This leave of absence has been going by much faster than expected, and every day is taken up with the minute-by-minute dealings of having a newborn. Excuses over - let's rock:
As a movie that pretty much serves as the gold standard of comedy in the 90's, and a film that I pretty much know by heart, we decided to save time by skipping this one and moving on to the next DVD in the bunch. Not that much time was saved, and we're still many weeks behind. I'm going to leave this entry with three words: Finkel and Einhorn.
The Addams Family/Addams Family Values: MY LOVE FOR RAUL JULIA WILL NOT BE DENIED. Addams Family was the first movie I ever went to solo, and I would do it again repeatedly, if only to watch Raul smolder, simmer, and ignite the celluloid while freaking the Tango with Morticia, perfectly played by Anjelica Houston. I love Anjelica in this role, and I love her even more in Woody's Crimes and Misdemeanors - she is so blocky and awkward, as opposed to her slinky gothic grace as Morticia. Christina Ricci as a young Wednesday = just about perfect casting, combined with a very adept big screen representation of the classic television show, and you've got a fun popcorn flick that holds up.
I am having issues posting pix and moving them to where I want, so...sorry about the haphazard arrangement of the dvd covers.
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